Standards & Practices

“If you never say anything where you’re going to be wrong, you’ll never say anything interesting.” Peter Thiel

There was a man who apologized (in his way) for something America has been doing for centuries, voting.  He didn’t like how they voted and felt that he could speak for them (since he obviously saw that they didn’t know what they were doing when they did it). He is a smart, all-knowing being who works for Pandora (the music service). He is there to tell computers what to do with music. He decides things like how, when, and what you will be listening to. If you use his company’s technology service, his goal is to make sure that his preferences are the ones you enjoy and that you do most of what he is not willing to do. He wants to introduce social justice when he benefits from a kushy job at a tech firm. I doubt he will be relinquishing this position to someone less fortunate than he. He wants everyone to vote like he and his peers do. He agrees with everything said about music from his peers, and they rarely argue or introduce new sounds to one another. Everything around them is derivative in some form, from how they dress, to what they listen to. This is evident in the selection of music they choose to distribute. He and his co-workers want to introduce a term that they cannot live by (interactive). They will claim to be something they are not and they will do this all on the backs of college dropouts who make music. They feel their college degree affords them the privilege of getting to choose which music (music made by college dropouts) is heard by larger swaths of the general population. Again, they are the current privileged class, who believe that others, not them, should go about with such a silly mission as to reverse historical events which have nothing to do with modern people. These practices are not democratic, enlightened, or with a respect for individuals.

The partner to the above is a lover of neomania. They too feel science is everything, so much so that their business model is propped up by focus groups, who seem to be researching the same sound for over fifteen years (Aguilera-Ariana). With nothing to show for it (their income has drastically dropped) they have had to let many of their staff go. Many of them can be found working at similar services like the above. They do not play music themselves (very well) but are prone to purchase the newest device and listen to music that their friends do. They also have a college degree and have been slowly eroding their understanding of the primary function surrounding music. In the early 80’s they allowed a music video distribution system to dictate how their artists should look. They capitulated and became a lover of looks instead of sounds. This attitude and mindset makes them a poor judge of character, as reality does not rely on looks, or looks have nothing to do with reality. They did not invent the new music distribution technology and are beholden to those who did. They use old sounds to prop up a new technology and fund their antiquated model with old (catalogued) money. They know the new technology is the future but they missed the boat. They also will claim to be an interactive function of the music industry, when never before have they been interactive with music. They dumb down the fact that America is about talent not image. They have very weak ideas about how America should be represented in the music space. When they are approached about their lack of understanding about music, they cower. They are most likely to be a pacifist, or the dog in the fight that has to lie down so they don’t succumb to injury. They hire, exclusively, college graduates which will not know how music was done before. They distribute art in a music space that looks good, but cannot perform, sing, play, etc. to the standard that got us here in the first place. They even keep an artist on their roster who vocally admits to hating America.

As the world looks to societies to emulate, we in America are sorry for the above partnership and their direct attempt to stifle innovation, do only what others are doing, or carry on a legacy of quality. This is not who we are, as Americans involved in music, this is not what we believe. We aren’t in the business of having to apologize for historical events, but we are in the business of debunking falsehoods about our country and defending its standards & practices. We do not believe that computers should decide what you hear no more than you should decide what you hear and we do not believe that image is more important that sound.